Wednesday, September 27, 2017

What the Future Holds

Thinking about college and what I want to do with my life is a lot of stress. Sometimes I just want to go to a small college,  double major in art and animation, and then move to Portland and have a my dream job at Laika Studios. I’d have a nice little apartment and a dog and just live life doing what I love. Too bad I can’t do that.

What I care most about in the world, though, is children. I care about making sure that children are safe and happy, and that all children have equal opportunities through equal education. I want kids to have schools that are safe and comfortable places. I care about there being up-to-date curricula and testing that are meant to help kids succeed. I care that schools are adequately funded so that kids can get a good education regardless of their family’s income. I care that schools are places where students are respected and respect each other. And most importantly, I care that students come out of schools well-educated and able to access all different things. I want the sky to be the limit.

Too often, though, public schools crumble because funding only goes to the schools in rich neighborhoods. Girls don’t feel safe or welcome in their own schools because of rampant sexism and sexual harassment. Kids experience constant institutionalized racism and the school to prison pipeline is going strong. All these things are so important to me to change and it seems like so much to do and I’m really just a kid. I know when I go into the world I’m going to be the girl that no one takes seriously, the black girl that is too angry about nothing, and the girl who’s always trying to make something out of nothing. And all of that seems really scary.

It seems scary for there to be so much to fix in the world and at times it seems like there’s no chance of ever just being happy. Because there are always going to be people who are treated unjustly and not given the same respect, rights, and opportunities as their more privileged peers. And as long as that’s happening, it seems so irresponsible of me to run off to Laika.

This blog post is kind of all over the place because I’m not sure what my point really is. How can you spend your life helping other people but also making sure that you can do the things that make you happy? I never feel more alive than when I’m talking about or working on injustice in schools or working with kids and yet I’m also not too great at handling the stress that comes with that either. Once could even argue that I don’t really have the right to be stressed because I’m not the one in the worst position. I disagree with that personally. Someone else always has it worse than you but that doesn’t mean you aren’t allowed to feel what you feel. It’d be a job that’s endlessly frustrating but also so important. But art makes me happy. So do I put my happiness on hold to follow my passion? Or do I ignore my passion in attempt to be happy?

Honestly those questions are dumb, though, because I can always do both.

Thursday, September 14, 2017

Not Skinny

I find myself thinking a lot about what it means to be Not Skinny. I never am sure where I fit on the range from skinny to fat, only that I’m not skinny. I joke around about it a lot but my weight is one of the things I’m most uncomfortable with about myself. Every fitness testing  I dread height and weight because I know I’ll weigh too much for my height.  I’ll have to know my BMI isn’t what I want it to be. I stand there on the scale fearing that the person behind me in line will accidently look in and see the number on the scale. I know in my mind that it wouldn’t matter- even if it did happen, no one would care. But that doesn’t make me less ashamed as I wait for the teacher to record my weight.

I don’t know why exactly I’m so embarrassed. I spend hours going through Instagram and I see plenty of women who are Not Skinny and they have nothing to be ashamed of just like I have nothing to be ashamed of. A body is a body and people shouldn’t be made to feel bad for how theirs looks. I constantly see other women being praised for being “thick” and I feel that I could fit into that category myself. But thicker thighs and some kind of ass don’t make me feel better about my stomach rolls and love handles.

I find myself getting annoyed as I write this. I think I’m shallow to be honest. Why do I care if other people find my body attractive? I know I shouldn’t but I do. I often think things that contradict what I actually believe. In my heart I truly believe that if I were just smaller, if I took up less space then maybe people would like me more. This is crap and I know that I definitely wouldn’t like someone less for being Not Skinny. But it’s hard to convince yourself of that in the moment where you take up the most space on the couch or when you go out to a restaurant and see that everyone else is eating so little.

I’m questioning whether I actually want to write this or whether I’d rather start again and try to throw something together because this is too personal for me. Maybe it would be better to write about anything but body image issues but it’s tiring to censor myself so I’m just trusting that no one will mock me and that someone else will understand.

Thursday, August 31, 2017

Getting to Know Me

I don’t know what to write. What is important enough to write an essay about and yet unimportant enough to share with a whole class or people you aren’t close with? I’ve been asking myself this for the past week as I’ve been trying and failing to write a satisfactory blog post. They say to write about something you care about but doing so is also to invite judgement. How do you write something that means something to you without seeming pretentious or fake-deep or trying too hard? The answer is you don’t. So why try?

I think I’m so used to being ashamed of the things I like that I end up being too afraid to actually enjoy them. As much as people say “be yourself” and “don’t worry what others think of you,” I think that’s something that significantly contrasts with our culture and society. We are taught to be ashamed of certain aspects of our life but to have no shame in other places. I think it’s very natural for people to have a hard time shaking fears that they will be judged for who they are and what they like.

At this point in my life, I’m pretty comfortable in who I am. I think. I love sharks and art and the 1975 Wonder Woman TV show. I sing a lot and watch the same four movies over and over and I dance really badly. I still won't really sing around other people because I'm afraid of sounding bad and making a fool of myself. I’m not exactly sure what I'm afraid would happen if someone didn't like my singing. There's some idea in my head that people wouldn't want to be friends with me if they heard. But that really makes no sense because I really doubt that people choose their friends based on their singing abilities. Sharks I love endlessly and shamelessly and I don't think I could be embarrassed over it if I tried. Art is a personal thing for me and so to openly share my art with others makes me feel vulnerable still but I think I've gotten past the shame. I know I have a ways to go before I'm unafraid to like what I like and want what I want but god knows I'm more secure than I was in middle school so overall I’m proud of myself. And maybe people do judge me for my dancing, but I try my best not to care.

Thursday, May 11, 2017

We Hate Macon

Being one of two black girls in an English class that's reading a book about race and appropriation is an experience that I wouldn't say is particularly enjoyable. It's all too commonplace here at Uni though- being one of few or the only black person in a class. What makes it even less fun is that because I am mixed, white people often choose to forget that I am not any less of a black woman for that. Angry Black White Boy by Adam Mansbach discusses the gray lines of white ally-ship, which can be a difficult conversation.

A lot of people want validation that they are indeed Not Racist and are "good white people" or such. Mansbach challenges this idea in saying that white people should be criticizing their whiteness openly as opposed to looking for ways to deny it. But often when discussing the book, I see white people in the class pushing whiteness off of themselves before they criticize whiteness. And this is essentially what made the class dislike Macon.

Macon talked about being “blacker” than the students at the BSU and more radical than John Brown and he had a lot of rhetoric that was intended to separate himself from white people. Being “down for the cause” doesn't take away your white privilege. It doesn't make you no longer a part of the power structure that constantly minimizes and oppresses people of color.

It felt almost as if the non-black majority of the class was reading the book and looking down on Macon for all the wrong reasons. People see him as an extreme (which obviously he is) and criticize based upon that but I think part of Mansbach’s intent was to show that Macon-esque thoughts are not at all uncommon. Few people go around robbing people in cabs and organizing Days of Apology, but it's not uncommon for people to speak about having or wanting to have an “honorary black card” or permission to say the n word because they're somehow different from other non black people and the rest of the white supremacist power structure.

We have a class full of Not Racist, rap listening, liberal non black people. And while there's nothing wrong with being any or all of those things, at times it can feel like an army of less extreme Macons and then the two black girls in the class.

Friday, April 28, 2017

Looking Back through the door

Looking back on Emma Donoghuge's Room is a sad-happy place to be. You see all that Ma and Jack have overcome, all they've accomplished. I thought that there would be no satisfying way to end this book. And yet, Donoghuge pulls through. 

We get to see so much character development from both Ma and Jack all in the final scene where they return to Room. We see how much they've really grown. One definite sign of growth is that Jack finally notices the smell in Room. In the beginning, he was so defensive of Room when Ma said it was stinky. Of course he would never notice a smell if he's lived his whole life surrounded in it.

Similarly, when they go back, Jack is confused because the shed looks too small to be Room. Jack's world grew significantly in his time outside as did he himself. Not only does Room seem physically smaller in comparison to the rest of the world but it seems much smaller in the sense that it would be much more confining. He is finally able to see it as the prison that it was and that Ma always saw it as. 


 And the most striking difference of all is definitely the last words of the book: “the door.” One of the first things you notice when you start reading the book is the anthropomorphization of certain objects and places in Room. It shows that he thinks they are the only ones and that they’re somehow special when actuality there are millions of other beds and rugs and walls. So when he finally calls Door “the door,” it shows massive personal growth. He’s learned about the world and his views expanded and he’s learned to accept that Room isn’t the limits of the universe. And they were finally able to move on.

Friday, April 14, 2017

Nick


In Room Old Nick is an awful but very smart character. All of his actions are thought out and like a true villain, everything he does adds to the gaslighting and abuse rained down on Ma. We see how smart he is with his construction of Room, making everything perfect so there is no way that his prisoner could escape. But what I would say is his greatest victory and most cruel thing he did in a sense was give Ma Jack.

Although Jack would eventually grow to save Ma's life, he also kept her trapped in that room for 5 years, forced her to keep up a facade with Jack to make sure he never found out the truth of the outside world. And possibly worse than that was that she was forced to pretend that she was okay with being in Room and being with Old Nick in order to protect her son.

The emotional burden of having to play into the games of your captor and abuser seems unimaginable and the way Ma deals with it is truly heroic, and in contrast that is what makes Old Nick so horrible.